Last winter, back when I was really pregnant, hopped up on hormones, and a little bit crazy, I sketched out 483902734890294023573489573489 ideas for future knitting patterns. Next, I proceeded to do something a woman preparing for many sleepless months with a newborn and a likely move thereafter should not have considered: I submitted several full-sized sweater ideas along with a battery of stranded mittens and hats. I don’t know what I was thinking, but fortunately (and, quite miraculously), everything worked out well.
Copyright Interweave Knits
Point Gammon Pullover, published in Interweave Knits, Fall 2010, is the first in a series of works that will appear in the coming months, the result of my knitting in the middle of the night with a new baby, en route to medical school interviews, and while laid up after tearing my calf muscle playing soccer. I knitted like a fiend this winter and spring, and I cannot wait to share my projects with you!
Copyright Interweave Knits
This follows in a series of cabled knits inspired and named for the waters I sailed on Cape Cod, Massachusetts as a child. Point Gammon is a somewhat obscure lighthouse marking the outcrop of Great Island into Nantucket Sound; it is a point reachable only by sea, as the land upon which it sits is private. Growing up on Lewis Bay, the bay whose entrance the lighthouse announces, Point Gammon Light seemed at once both intimately familiar and utterly foreign to me. I always admired the peculiar structure, wished I could see it up close, and wondered what the view must have been like from the other side of the bay, the private, off-limits side.
I designed this pullover with the lighthouse in mind, intending the central cables to evoke a lighthouse beacon.
In keeping with the ocean theme, I placed netting cables up the sides. In my opinion, both cables that extend from bottom hem to neckband and cabling at the underarm in place of a seam signal a well planned, hand knitted garment. Any machine can churn out a cabled something or other, sew it up the sides, and slap on disjointed bands. Cabling done well should be difficult to recreate in a factory.
The fit is trim (i.e., 2″ of positive ease, if I recall correctly); both the ribbing and the set-in sleeves emphasize this. As I have said before, despite the traditional form, you will not find any drop shoulders around these parts, thank you very much. The sleeves are little more than basic rib sleeves with cables interspersed at the same intervals as on the body, with one cable running down the center of the sleeve. I love symmetry, I can’t help it.
While it may appear difficult to work out how to run the cables into the neckline like this, it is not very hard. Once I determined how many repeats of the cable pattern I wanted down the front, I centered the repeated section, then held stitches at the base of the neck instead of binding off and picking up for the neckline.
One benefit of a side cable is that it can be completely bound off at the underarm, so there is nothing left to keep track of. And, it looks complicated while completely avoiding the question of how to treat the seam. Although it makes shaping more difficult, one could certainly work decreases along the flanks of the side cable. I briefly contemplated making a shaped version for me, but you know I never knit anything twice unless I have to, right? Of course.
Because Blue Sky Alpacas Worsted Hand Dyes was unfamiliar to me at first, I knitted a positively gigantic swatch. I do not feel terribly confident about my gauge with refined, luxury fibers, as the fabrics knitted in those fibers often grow. I swatched, I measured, I washed, I measured, I blocked, I measured. Anticipating this post, I thought I would show a picture of the pre-blocked body (missing sleeves, of course). It was so tiny, despite needing to fit a man (albeit not a large man).
Before washing and blocking, it had a 30″ chest.
After blocking, the chest measured 36.75″. Be wise: swatch aggressively and believe in your swatch, do not second guess yourself!
I thought I would include a photo of the underside of the sleeve blocking. Is there a secret to getting ribbed increases to block to straight lines? I can never make mine perfect!
Let us take a minute to discuss the yarn, shall we? Blue Sky Alpacas Worsted Hand Dyes might be the nicest yarn I have ever – or will ever – work with. Once I finished the garment, I had to try it on, even though there was no way it would fit me well. I have told anyone who will listen that wearing a sweater made in this yarn feels like wearing a hug. I have one sweater’s worth of it in my stash, which I am saving for The Best Sweater in the History of Time; the yarn really deserves the perfect pattern.
Initially, I worried it would be too heavy for a men’s cabled pullover, as its yds per gram ratio is only 1. For other worsted weight yarn comparisons: Cascade 220 has 2.2 yds/gram; Berroco Blackstone Tweed 2.6 yds/gram; Harrisville Designs New England Highland has 1.9 yds/gram. Thus, for the same yardage as another worsted weight sweater, Worsted Hand Dyes yields a garment that is twice as heavy. Indeed, the finished product is heavier, but it’s one of the things I loved most about the fit. There’s a sentence I never expected to write, but it is absolutely true. I think its weight combined with its softness make you feel as if you just wrapped yourself in the most lovely cocoon that could possibly exist. It’s expensive – very expensive – but as the cheapest knitter you will ever meet, I say it’s worth it if the pattern is perfect for you.
On that note, I hope some men out there find this pattern perfect for them! As for the rest of you, go check out the rest of Interweave Knits Fall 2010 (or see it on Ravelry) – it is the best issue in ages! I could make full-time work of knitting all the sweaters I want to make in this one issue alone!